Unsealed Files · Episode 7 · 5 min · 8 June 2026
Buried Crimes: Unearthing America's Forgotten Coups and Cover-Ups
Each week, discover a hidden crime from history—narrated like secrets found in a box never meant to be opened.
What this episode covers
Journey into the shadowy archives of American history with 'Buried Crimes,' where we meticulously unearth forgotten coups, scandalous cover-ups, and the untold stories that shaped the nation. Each episode pulls back the curtain on events deliberately obscured, revealing the profound impacts these hidden truths continue to exert on our present. Prepare to challenge your understanding of history and discover the secrets that were never meant to see the light of day.
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Transcript
544 words · the script as narrated
On November tenth, 1898, the United States experienced its only successful coup d'état. It didn't happen in Washington D.C., but in Wilmington, North Carolina, and it violently erased a legitimately elected, biracial government. Last week, in the files on those forgotten atrocities, we saw how crimes can fade through simple neglect. This is different. This wasn't forgotten. It was buried. Before the coup, Wilmington was a beacon. For the late 1890s, it was a genuine anomaly in the American South. A majority-Black city, prosperous, with a thriving Black middle class, Black-owned businesses, and a Black-owned newspaper, The Daily Record.
The city government was a fusion of Black Republicans and white Populists who had found a way to share power. It was working. And because it was working, it had to be destroyed. The forces against it were led by men like Alfred Moore Waddell, a former Confederate officer. They called themselves the "Red Shirts"—a white supremacist paramilitary group acting as the armed wing of the Democratic Party. Their stated goal was to reclaim North Carolina for the white man. They found their excuse in the words of Alexander Manly, the editor of The Daily Record.
Manly wrote a brave, defiant editorial pushing back against the racist caricatures of Black men. The Red Shirts seized on it, twisted it, and used it as a pretext for what they had already planned. They issued what they called a "White Declaration of Independence." It demanded that Alexander Manly be banished from the city and that his newspaper be shut down. It was an ultimatum. And when their demands were not met by the morning of November tenth, Waddell led a mob of nearly two thousand armed white men to The Daily Record's office.
They broke in, smashed the printing press, and burned the building to the ground. Then, they turned on the city. They went door to door, hunting Black leaders and anyone who stood with them. The exact number is lost, but estimates say anywhere from sixty to three hundred Black citizens were murdered in the streets. By the afternoon, Waddell marched his mob to city hall. They held the elected mayor and the city's aldermen at gunpoint and forced them to resign, one by one. Then, Alfred Waddell was simply declared the new mayor. A violent, illegal overthrow of a democratic government, planned and executed in a single day.
And here is the shape of the crime that followed the crime. For decades, this event was not called a coup. It was not called a massacre. It was officially recorded, taught, and remembered as the "Wilmington Race Riot." That single word—riot—places the blame on the victims. It creates a false equivalence, a sense that both sides were fighting. It was a fiction written by the men who held the guns. They didn't just seize power; they seized the story. And by renaming the crime, they buried it in plain sight. This week sets up a question that haunts every file in this archive: how many other coups are we calling riots?
How many massacres are we calling disturbances? The real work isn't just finding the documents; it's learning to read the language of their burial. The files are sealed not with locks, but with words.
About Unsealed Files
Dive into the dusty corners of history where justice was never truly served. Each week, we unearth a forgotten crime, presented as if pulled from an archivist's hidden vault. Discover the untold stories and eerie echoes of the past that demand to be heard again.
