Love in Reverse · Episode 20 · 9 min · 7 July 2026
Unraveling Us: A Love Story Told Backwards, One Memory at a Time
Exploring heartbreak and hope, each episode traces love’s end to its beginning—through voices and cherished things left behind.
What this episode covers
In 'Unraveling Us,' listeners embark on a heartfelt journey through a love story told in reverse, starting from the bittersweet end and moving back to its origins. This evocative narration invites you to explore the fragments of a relationship, revealing how memories intertwine and how love evolves over time. Through this unique storytelling approach, you'll gain insight into the lingering questions of what once was, and perhaps, what could have been.
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Transcript
1,229 words · the script as narrated
A study by Price and his colleagues in the year two thousand found that older adults often see their core possessions as powerful totems… as anchors for specific memories. Last week, we talked about the act of unraveling a goodbye, of pulling at the threads of a story to find its start. I'm realizing now that it's not just the people who get unraveled... it's the things we owned together, too. The things that are still here, even after you're gone. It all ended with the chair. The living room was an echo chamber of cardboard boxes and packing tape.
We’d done the hard part. The books, the records, the kitchenware. All sorted into neat piles of 'yours' and 'mine'. And then there was just… the chair. Sitting in the corner where it always sat. The big, heavy, wingback armchair we found for seventy-five dollars and spent a whole weekend reupholstering. You stood on one side of it, I stood on the other. A silent, sad standoff. "You should take it," you said. Your voice was flat. Empty. "No," I answered, just as quiet. "It won't fit in my new place." Which was a lie. My new place was mostly empty space.
A hollow shell waiting for a life I didn't want. "Well, I don't want it," you said. And that… that was the final blow. More than the arguments, more than the slammed doors. You didn't want the chair. The chair we built our living room around. The chair I read in while you cooked. The chair you curled up in with the cat on rainy Sunday afternoons. You didn’t want it. And I knew, in that moment, that I couldn't take it with me. To take it would be to take a ghost. An anchor, just like the study said, but an anchor that would hold me in this exact moment of loss forever.
So I just nodded. And we left it there. For the next tenants, or the landlord, or the curb. An artifact of a life that was no longer ours. I keep thinking about a night maybe two years ago. It was winter. The rain was hitting the windows so hard it sounded like handfuls of gravel. We were having one of those fights… the kind where the original reason is long forgotten and you're just saying things to wound each other. I was standing, you were sitting—not in the chair, but on the floor, leaning against it. The light from the reading lamp next to it cast this long, distorted shadow of you across the room.
I don’t remember what I said. Something awful, I’m sure. But I remember what you did. You flinched. A tiny, almost imperceptible movement, but you flinched as if I’d physically struck you. And you put your hand on the arm of the chair, gripping the worn fabric. Grounding yourself. And I saw it. I saw the chair not as furniture, but as your ally. Your refuge. A silent, sturdy witness that would absorb the blow for you. I stopped talking. The anger just… evaporated. I knelt down on the floor in front of you. I didn't say I was sorry. It was too late for that.
I just put my hand on top of yours, on the arm of the chair. And we stayed like that for a long time, the two of us and our stupid, wonderful chair, listening to the rain. Looking back on it now, I think maybe that was the first goodbye. We just didn't have the words for it yet. We were already practicing how to hold onto something solid when the other person was letting go. But it wasn't always like that. Of course it wasn't. Memory isn't a perfect recording, is it? It's a pattern of associations. And the chair… its pattern goes back further.
I can feel it if I close my eyes. Back to our first real apartment. The one with the crooked floors and the radiator that hissed like a snake. We had almost nothing. A mattress on the floor, a card table, two folding chairs. And then we found it. At that dusty antique co-op out on the highway. It was covered in this hideous, faded floral fabric. It smelled like mothballs and a century of dust. But the bones were good. Solid oak. You saw it first. You ran your hand along the curve of the arm and said, "Alex. Look." I saw a piece of junk. I saw a project we didn't have time for, and seventy-five dollars we didn't really have to spare.
But you… you saw what it could be. "Imagine it," you said, your eyes so bright. "Imagine it in a dark blue velvet. Right by the window. We can read there." And because you saw it, I could see it too. We spent the whole weekend on the floor of our empty living room, pulling out staples with pliers until our hands were raw. We stretched that dark blue velvet taut, fighting with the staple gun, laughing so hard we could barely breathe. When we finally finished, late on a Sunday night, we stood it up. It was perfect. It wasn't just a chair. It was the first beautiful thing we owned together.
It was the promise of a home. We didn't even sit in it that first night. We just stood there, arms around each other, looking at it. This… THING that we had made ours. So where does a thing like that begin? Not in the fight. Not even in the apartment. It begins with a choice. It's Saturday. We’re wandering through that flea market. We’re not looking for anything. We’re just happy to be together, to have a whole day with no plans. You’re a few steps ahead of me, and you stop. You turn back, with that little mischievous smile you get when you’ve found something.
"Don't say no right away," you say. And you lead me to this… this enormous, forgotten piece of furniture. You start making your case. The good bones. The classic shape. I start making my counter-argument. The smell. The work. The cost. And it's not a real argument. It's a dance. A playful negotiation that isn't about a chair at all. It's about us. About seeing if our visions for the future, even a future that just involves a living room corner, can align. I can see it now, so clearly. Ten years from now, when I think of that chair, what will I remember?
The hollow ache of leaving it behind? Or the feel of your hand in mine at that flea market, the moment I stopped seeing a dusty old chair and started seeing our future? A child, by age six, learns that an object is special simply because it belongs to them. That's what the research says. But it doesn't say what happens when it stops belonging to you. Or when it never really belonged to you, but to an "us" that doesn't exist anymore. The argument we had at the end, over who would take it… it was just a sad, tired echo of the one we had at the very beginning.
But at the beginning, we were debating how to start our life together. At the end, we were just negotiating the terms of our surrender.
About Love in Reverse
A love story told backwards each week — starting from the end, trying to understand where it all began.
